Featured Photographer review with, Kensei Ohe, Japan
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Featured Photographer Review with Bartosz Trybus, Poland
Bartosz Trybus, photographer, Wroclaw, Poland.
His adventure in photography began 2011. He was a street photographer with great passion right from the beginning. Bartosz is inspired by Joel Meyerowitz and his generation of street photographers of the 70s and 80s. His aim is to portrait every day’s contemporary life on street. He is a searcher for the relationship between strangers, the relationship between people and their environment, for traces of human presence.
Please visit Bartosz Trybus at:
www.bartosztrybus.pl On Facebook: www.facebook.com/BartoszTrybusStreets?fref=ts On Flickr: www.flickr.com/photos/trajbus/ Featured Photographer review with, Michelle Rice Chan, Hong KongRead and download the magazine here for FREE!
"Authenticity is what makes each photo unique"
My work has been exhibited in Landmark Central, Affordable Art Fair 2015, and various other places in Hong Kong.
They are also published and featured in Localiiz Hong Kong, 48 hours magazine, Street View Photography HK etc. I'm a member of [DRKRMS] which is a photography platform for Asia's best new photographers and also a curator for Street View Photography HK page. 
In the pensive mood, by Michelle Chan
Persistence It was taken when black rain signal was hoisted. I still remembered on that night the rain was pouring non-stop and started to flood the floor. There weren't many people on the street. And then I saw one lady walking down the stairs about to turn into the open street. She opened her umbrella, saw the flood and without thinking immediately took off her shoes and kept on walking. I admired her persistence and so I captured that right away. By Michelle Chan
ADVERTISING
We Street 2015 - A Public Street Photography Book Project For You!
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers 
- A maximum of three Photographs will be preselected
- Curated pre-selection of submissions by 4 curators - 100 shots will be selected, max. 1 per photographer - A HQ-book will be made publicly available for order - This is a NON-profit initiative! For more details please visit the Facebook group: We Street 2015 or Willem JONKERS blog: We Street 2015 - A Public Street Photography Book Project For You! 
A Tram with a View, by Michelle Chan
Stroll Home, by Michelle Chan
Under Construction, by Michelle Chan
Tea, by Michelle Chan
Tic-Toc I like to shoot at night and when it’s at night, market is deadly silent which is a very opposite feeling of what you get during the day time. And here, at 11pm, I saw this man taking his leftovers from his stall and heading back home. By Michelle Chan
ADVERTISING
iStreet Photography Exhibition, organized by Des BYRNE and Peter O DOHERTY
Dublin, from 14th to 27th August 2015 
Photo by Seamus TRAVERS
The Corner Shop, by Michelle Chan
Lost, by Michelle Chan
Road to Heaven I managed to see this streak of light on the road while this lady was crossing. To me it looks like it’s a path to heaven – she is walking towards somewhere that is glowing for her. By Michelle Chan
Please visit Michelle Rice Chan at:
www.littledotrice.com On Facebook: www.facebook.com/littledotrice Featured Photographer, interview with Sandra Jonkers, Rotterdam, Netherlands
EDITORIAL
What is photography for you, or being more precisely, what is Street Photography for you?
Street Photography has pushed me to see the world around me, to really see the world around me. As an observer on the streets I see little ordinary things happen and those things became not so little or ordinary anymore to me. That is really the best gift street photography has given me. To me, that is what street photography is all about, life as it is. It’s just two years ago I started taking shots on the streets and instantly fell in love with it. I have an urgent feeling to go out and shoot the streets and the people in it. Life is happening in front of me and I love that. The 'ordinary' life became suddenly very special to me. I'm feeling lucky that I have the opportunity to steel some of those precious slices of life to put them in a frame. Pretty awesome I think! 
Could you share with us how you first became interested in photography in general?
I have an artistic background, so I love art. Photography is art, street photography is art. As a child I was already interested and wanted to make my own ‚art‘. Later in life I’ve painted and drew a lot. I never lost the feeling of wanting to be creative. Nowadays I put all my creativity in my shots. 
What equipment are you using now and with what did you get started? What is your favorite lens for photography?
A few years ago I bought a nice compact camera. Just for fun purposes. I took a few shitty shots. But that was the moment I felt that something was happening with me. Taking photo‘s made me happy, I wanted more. After a few weeks I sold the compact camera and bought my first DSLR with some lenses and took a course. I also started reading a lot about the camera and photography. Nowadays I shoot with a Canon 70D, not a comfortable camera for on the streets maybe, but for me it is. I have a few lenses, but my favorite ones are the 17-55mm and the 24-70mm. I‘m still going as close as possible towards my subject or scene (that can be really funny on a scooter). To me it really doesn't matter with what gear you shoot as long you are feeling one with it. Don't get me wrong, having good gear is nice but it is your brain that has to do the work. 
Seeing your remarkable work, I am curious where your creativity comes from?
Ha, that‘s a question I really can‘t answer! When I‘m out on the streets I just go with the flow. I‘m feeling exited, but also very calm. I feel a rush, but I‘m never hasty. I‘m really letting my brain do all the work and while I‘m doing that I feel free and comfortable. I‘m kind of creating my own little world in the world around me. What you see, is what I am. Nothing more, nothing less. That‘s maybe in a way where my creativity comes from? 
What would you say characterizes your work, comparing to other street photographers?
I really don‘t like to compare my work with other street photographers, I‘m just doing my own thing. Impossible to compare my own creativity with the creativity from someone else. The work of my husband and also street photographer Willem Jonkers is a nice example. We shoot a lot together in the same area, but we come home with totally different shots. That‘s how nice the brain works, we all see the world in a different way. 
Advertising
We Street 2015 - A Public Street Photography Book Project For You!
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers 
- A maximum of three Photographs will be preselected
- Curated pre-selection of submissions by 4 curators - 100 shots will be selected, max. 1 per photographer - A HQ-book will be made publicly available for order - This is a NON-profit initiative! For more details please visit the Facebook group: We Street 2015 or Willem JONKERS blog: We Street 2015 - A Public Street Photography Book Project For You!
Do you often interact with your subject?
No not often, but sometimes. And when that happens, the interaction is most of the time a nice one. Sometimes it’s such a nice moment, it can be stuck in my head for days. 
Can you tell us about your work flow from the point you first step onto the scene until you showcase the developed picture?
Hmm, my work flow. I don't think it’s very special. As I’ve explained before, on the streets I just go with the flow. When I come home after a day of shooting I leave the shots on my camera for at least a week or so. I don't watch them. I don't feel the need to watch them. After a week I'm getting curious and import the photo's in Lightroom and start to develop them. There is not much I do in Lightroom, just make it black and white, put in a little bit of contrast or bring down the highlights a bit, because the sun was very bright that day. That's about it. Has your style of shooting changed since you first started? Of course it did. When I look back at my first street shots ever, it is pretty hilarious. Shooting people from a huge distance or from the back belongs to the past. But you got to start somewhere, don‘t you? ;-) Luckily that didn't took long because I never felt the fear to approach people. Looking back at the first pictures ever I‘m pretty amazed how much I’ve learned in such a short period of time. Nowadays I want to go as close as possible. I want to give the viewer the feeling that they are smelling the streets or that they can almost touch the soul of the person in the picture. You don‘t only watch a picture, you need to feel it too. That is one of the things I‘m trying to achieve when taking a shot. 
What would you tell a beginner or newcomer who asks for your advice on how to start?
Read a lot on the internet about street photography. Everything you need to know is out there. Make sure you feel one with your camera. The best learning school is the street itself, so go out and shoot as often as you can. And most of all: have fun. When you are having fun doing it, it will show in your results. Also never stop learning.
Sandra, thank you very much for taking your time and let us have your thoughts and views about your work and street photography in general!
You can read and download the magazine online for FREE:
Featured Photographer review with Gabi Ben Avraham, Tel Aviv, Israel
Dear friends and readers!
Our next featured photo review takes us to Israel, but for being more precisely to Cuba actually, where Gabi Ben Avraham indulge his passion for street photography. We're enchanted by his documentary street photographs, full of vibrant colors and great contrasts, they providing valuable insight in Cuba‘s everyday life. Enjoy reading! Stefan Cimer editor 
Gabi Ben Avraham, Street Photographer based in Tel Aviv.
Photography is a passion form me. It‘s my way to look at the world around me. Street photography in particular, is my favorite genre. The street is not a studio. Sometimes I'm just standing and waiting for things to converge. Through the lens of my camera I‘m constantly looking around me, searching for the decisive moment that won‘t return, to capture. 
I am inspired by what I see, hear or even smell on the street, I absorb the images and let them leave
I have just returned from Cuba and working on my second Cuba series currently
Those who visit Cuba experience a strong feeling of travelling in time, of people living in a bubble disconnected from the Western world as we know it.
Cuba: far from abundance and comfort, distant from the mighty communication industry and the consuming culture, they live the human side of life as opposed to the industrial and mechanical side.
Advertising
We Street 2015 - A Public Street Photography Book Project For You!
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers 
- A maximum of three Photographs will be preselected
- Curated pre-selection of submissions by 4 curators - 100 shots will be selected, max. 1 per photographer - A HQ-book will be made publicly available for order - This is a NON-profit initiative! For more details please visit the Facebook group: We Street 2015 or Willem JONKERS blog: We Street 2015 - A Public Street Photography Book Project For You! 
I believe one must find the place where he feels the most comfortable. For me it is the street…
I am excited to wander through the streets towards my new adventure. It changes constantly: situations, people, and light
Street photography is very dynamic and therefore interesting. I wait for things to happen and they always do…
I try to achieve photographs which are a combination of the ‘decisive’ moment with mixed-context and a feeling of surrealistic disorientation
Cuba: communication is face to face, people are outside, in the street most of the time
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iStreet Photography Exhibition, organized by Des BYRNE and Peter O DOHERTY
Dublin, from 14th to 27th August 2015 
photo by Seamus TRAVERS
Cuba: there are very poor resources, everything crumbles
I try to make the spectator uncertain of the familiar and create a new vision of reality…
There is always a story to catch. The street is not a studio
Cuba: this is their world and they live it to the limit
Forgotten, transparent people in urban surroundings are being granted their moment of grace
On street things change constantly: situation, people, and light. It is very dynamic and therefore interesting
Cuba: nonetheless, they seems strong and maintain their ‘joie de vivre’
Advertising
You have a photo / art exhibition or a project to get started? EYE-Photo Magazine can be your partner for advertising! We're publishing featured interviews, photo reviews and special features with talented and enthusiastic photographer on a regular base. Your advertisement would be in our magazine (PDF) and on our website. We can link to your project, website, or other multimedia content. The best thing is: it's all FREE for you! INTERESTED? Contact us: [email protected]
Please visit Gabi Ben Avraham‘s websites:
http://www.gabibest.com/ Facebook: http://www.facebook.com/Gabibabest https://www.facebook.com/streetworld His Cuba series: http://www.gabibest.com/cuba_2012_bw.html You can read and download the magazine online for FREE:EYE-Photo magazine and Urban Street Photography proudly presenting the best cover photos of Urban Street Photography group, July 2015, featuring photographer:
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•Alexander Merc
•Antonio E. Ojeda •Arman Tzcan •Bert Snijder •Christian Barroso •Christian Nilsson •Christophe Mousset •Daniel Antunes •Dominic Meily •Go Muroiwa •Guido Fua •Ilan Burla •Johnny Yim •Jpedro Martins •Julie Krebs von Halling •Le Tanguerrant •Lev Tsimring •Luca Pasqualini •Mariana Maodus |
•Mike Heard
•Molly Porter •Nidal Jenaiah •Paolo Verdarelli •Pawel Gaik •Philip Cleminson •Piotr Krzyzanowski •Roberto Bon •Sagnik Datta •Shuvarthy Chowdhury •Steven Gonzalez •Subhrajit Sinha •Titti Dufva •Tomaz Jakhel •Toncheetah Zagabria •Veronica Gimenez •Yasar Koc |
You can read and download the magazine online for FREE:
Would you like to participate?
Please join the growing community of
Urban Street Photography
and show us your BEST
street photographs!
We are looking forward to see you there!
Please join the growing community of
Urban Street Photography
and show us your BEST
street photographs!
We are looking forward to see you there!
Interview with Nikola Olic, Dallas USA
Nikola Olic's fantastic photographic visions and work is a combination of architecture and abstract fine art photography.
The award winning photographer is our guest in our 8th issue of 'Featured Photographer Interview'.
Please join us on this captivating and varied voyage full of stunning structures and amazing architecture.
Enjoy reading!
Yours,
Stefan Cimer
(editor)
The award winning photographer is our guest in our 8th issue of 'Featured Photographer Interview'.
Please join us on this captivating and varied voyage full of stunning structures and amazing architecture.
Enjoy reading!
Yours,
Stefan Cimer
(editor)
Nikola, I shall begin by saying thank you for taking your time to giving us the opportunity for this interview
Please tell us a little bit about yourself to begin with.
I was born and raised in Serbia and had moved to the United States in 1992.
Influenced by my dad who was a proliferate photographer, I had a camera by
my side through childhood, documenting events, hobbies and people around
me. Traveling around United States helped feed the curiosity about city design,
urban development and architecture, how it shaped cities and our relationships with them. From that interest came the latest series of photographs, focusing on abstract representations of immovable large structures around us.
Please tell us a little bit about yourself to begin with.
I was born and raised in Serbia and had moved to the United States in 1992.
Influenced by my dad who was a proliferate photographer, I had a camera by
my side through childhood, documenting events, hobbies and people around
me. Traveling around United States helped feed the curiosity about city design,
urban development and architecture, how it shaped cities and our relationships with them. From that interest came the latest series of photographs, focusing on abstract representations of immovable large structures around us.
What is photography for you?
An enjoyable, meaningful, invigorating way to think about the world a round me, and take its intellectual and aesthetic measure.
An enjoyable, meaningful, invigorating way to think about the world a round me, and take its intellectual and aesthetic measure.
Could you share with us how you first became interested in photography in general?
I was surrounded with photography, both from my father’s and brother’s side, since early childhood. In the United States, it was a useful companion as I traveled and explored and got to know the continent. Switching to a DSLR about 2 years ago helped propel my interest in architectural and abstract photography
I was surrounded with photography, both from my father’s and brother’s side, since early childhood. In the United States, it was a useful companion as I traveled and explored and got to know the continent. Switching to a DSLR about 2 years ago helped propel my interest in architectural and abstract photography
Nikola, your focus is on architectural and abstract photography. How much does your equipment help you to execute your artistic vision?
Equipment I use is very simple and not quite on the cutting edge. I try to combine patience and opportunism to get good angle and lights for my shots. If I have good light and some time to study the space, I can be happy with the photograph with a 10y old DSLR. albeit, resolution can be an issue for bigger prints. I have learned that recently.
Equipment I use is very simple and not quite on the cutting edge. I try to combine patience and opportunism to get good angle and lights for my shots. If I have good light and some time to study the space, I can be happy with the photograph with a 10y old DSLR. albeit, resolution can be an issue for bigger prints. I have learned that recently.
Advertising
iStreet Photography Exhibition, organized by Des BYRNE and Peter O DOHERTY
Dublin, from 14th to 27th August 2015
Dublin, from 14th to 27th August 2015
photo by Seamus TRAVERS
Seeing your remarkable work, I'm wondering which kind of photography characterizes you most?
Architectural and abstract photography is to me interesting and warm and multidimensional and a potent spectrum through which to think about space and shapes and colors and our own living spaces. So in terms of popular strains of photography, I would say architectural and/or abstract photography.
Architectural and abstract photography is to me interesting and warm and multidimensional and a potent spectrum through which to think about space and shapes and colors and our own living spaces. So in terms of popular strains of photography, I would say architectural and/or abstract photography.
Can you tell us about your work flow from the point you first step onto the scene until you showcase the developed picture?
Interesting architecture comes about usually from exploration, although sometimes aided by preparation and internet building databases and city guides and the like. I try to secure a significant uninterrupted block of time when meeting a building for the first time, usually starting with just staring at the building and enjoy the freshness and the ideas that come to mind, like smelling a new flower. You have to stop and smell the architectural flower :) Soon after I am clicking away, looking for angles and seeing what is the extreme to which I can take certain angles, and I spend a lot of time fine-tuning shots moving a few feet at a time, studying the results. Finally, I might consult web apps to help me with sun angles and shadows, so I can come back at a different time and get better light and more options.
Interesting architecture comes about usually from exploration, although sometimes aided by preparation and internet building databases and city guides and the like. I try to secure a significant uninterrupted block of time when meeting a building for the first time, usually starting with just staring at the building and enjoy the freshness and the ideas that come to mind, like smelling a new flower. You have to stop and smell the architectural flower :) Soon after I am clicking away, looking for angles and seeing what is the extreme to which I can take certain angles, and I spend a lot of time fine-tuning shots moving a few feet at a time, studying the results. Finally, I might consult web apps to help me with sun angles and shadows, so I can come back at a different time and get better light and more options.
Among your works, which is your favorite and why?
As you can see on my website, my portfolio is very small, and this is of course on purpose. Of the thousands photographs that I take, less then 30 made it out into the public. In some ways, all of them are my favorites exactly because I had dwell on them for a long time and had decided they are worth sharing. But to answer the question in a meaningful way, my 3 favorite photographs are : Twisted Building, Broken Building and Building With Steps.
As you can see on my website, my portfolio is very small, and this is of course on purpose. Of the thousands photographs that I take, less then 30 made it out into the public. In some ways, all of them are my favorites exactly because I had dwell on them for a long time and had decided they are worth sharing. But to answer the question in a meaningful way, my 3 favorite photographs are : Twisted Building, Broken Building and Building With Steps.
Has your style of shooting changed since you first started?
My instincts got better at figuring out if some new visual space has potential. This helps spend time on smarter things. Stylistically, I think my photographs are becoming simpler to describe and write about, which is a tendency I think I like.
My instincts got better at figuring out if some new visual space has potential. This helps spend time on smarter things. Stylistically, I think my photographs are becoming simpler to describe and write about, which is a tendency I think I like.
Are there any photographer how took influence on your photographic work and style?
There are exactly 19 of them. I maintain an active section of my website with my influences, when they lived, where they worked, and a few of their well known photographs. It helps me think about photography and think about what I am doing with it and why. It is great to discover new photographers, be it in a blog, a website, or while browsing architecture books at a local library.
There are exactly 19 of them. I maintain an active section of my website with my influences, when they lived, where they worked, and a few of their well known photographs. It helps me think about photography and think about what I am doing with it and why. It is great to discover new photographers, be it in a blog, a website, or while browsing architecture books at a local library.
Advertising
We Street 2015 - A Public Street Photography Book Project For You!
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
- A maximum of three Photographs will be pre-selected
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group:
We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group:
We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
You're indeed quite successful with your work, appearing in galleries across the US but also in Europe. What would you tell a beginner or newcomer who asks for your advice on how to start?
Success can mean a lot of things. I get as happy discovering new photographs from others as I do when I get a good photograph of my own. Photography is alive and vibrant and infinitely unpredictable, as unpredictable as we all are as people and creators and thinkers and artists. Look for others that think about photography in the same way you do: talk with them, offer your ideas, ask your questions, offer your website, offer your photographs. That builds a framework for great fun and great possibilities and great surprises.
Success can mean a lot of things. I get as happy discovering new photographs from others as I do when I get a good photograph of my own. Photography is alive and vibrant and infinitely unpredictable, as unpredictable as we all are as people and creators and thinkers and artists. Look for others that think about photography in the same way you do: talk with them, offer your ideas, ask your questions, offer your website, offer your photographs. That builds a framework for great fun and great possibilities and great surprises.
Are there any special projects you’re working on currently which you would like to introduce here?
There is still a lot for me to learn and explore and try with my current project called Structure Photography. Its too much fun to start something new for now.
There is still a lot for me to learn and explore and try with my current project called Structure Photography. Its too much fun to start something new for now.
Advertising
You have a photo / art exhibition or a project to get started?
EYE-Photo Magazine can be your partner for advertising!
We‘re publishing featured interviews, photo
reviews and special features with talented and enthusiastic photographer on a regular base.
Your advertisement would be in our magazine (PDF) and on our website.
We can link to your project, website, or other multimedia content.
The best thing is: it's all FREE for you!
INTERESTED?
Contact us:
[email protected]
EYE-Photo Magazine can be your partner for advertising!
We‘re publishing featured interviews, photo
reviews and special features with talented and enthusiastic photographer on a regular base.
Your advertisement would be in our magazine (PDF) and on our website.
We can link to your project, website, or other multimedia content.
The best thing is: it's all FREE for you!
INTERESTED?
Contact us:
[email protected]
Nikola, thank you very much for taking your time and let us have your thoughts and views!
Please visit Nikola at: www.structurephotography.org
or contact him at: [email protected]
Please visit Nikola at: www.structurephotography.org
or contact him at: [email protected]
You can read and download the magazine online for FREE:
Featured photographer review with Davide Mandolini, Italy
Our next featured photo review takes us to Italy, where young talented photographer Davide Mandolini finds his inspiration areas.
We‘re enchanted by his deep empathetic composition of urban and street moments.
Without further ado, please join us on our next voyage of discovery
We‘re enchanted by his deep empathetic composition of urban and street moments.
Without further ado, please join us on our next voyage of discovery
I was in Venice and I had intentionally lost the direction, I’ve arrived in a street so large with no one around me,
there was only this very old woman that in the middle of those high buildings appeared to be crushed by the
weight of her age.
there was only this very old woman that in the middle of those high buildings appeared to be crushed by the
weight of her age.
I love people, and I love to imagine the stories of the people, where they come from, which are their
passion you know something like that, and I like to look around me and find someone Interesting.
He was the perfect subject.
passion you know something like that, and I like to look around me and find someone Interesting.
He was the perfect subject.
Woman vs Map is the title of this photograph. I was happy to find this woman with this map because it is so
hard to find someone in 2015 with an none virtual map into their mobile devices.
She reminds me to the times where everything possibly wasn’t so difficult but definitely more interesting.
hard to find someone in 2015 with an none virtual map into their mobile devices.
She reminds me to the times where everything possibly wasn’t so difficult but definitely more interesting.
Advertising
iStreet Photography Exhibition, organized by Des BYRNE and Peter O DOHERTY
Dublin, from 14th to 27th August 2015
Dublin, from 14th to 27th August 2015
photo by Seamus TRAVERS
I love the rain.
When the rain begins to fall, people change their way “of doing”, things and if you
look carefully you can learn who loves the rain and who’s not.
This woman like me loves the rain. I’m sure, as she walked down the street so
slowly tasting the atmosphere with pleasure.
When the rain begins to fall, people change their way “of doing”, things and if you
look carefully you can learn who loves the rain and who’s not.
This woman like me loves the rain. I’m sure, as she walked down the street so
slowly tasting the atmosphere with pleasure.
I captured this photo in Amsterdam, I was just tying up my shoes so I was bent over. I had the camera attached to my neck as I lifted my head and I saw this man with the bike and a businessman with two shopping bags. I quickly took that picture
I just tried to capture the shadows of the couple on the left as the man with the suite stepped into the scene smoking his cigarette
Advertising
We Street 2015 - A Public Street Photography Book Project For You!
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
- A maximum of three Photographs will be preselected
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group: We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group: We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
Reflections are always fascinating me and are directly connected to my passion for rain. Maybe I was lucky to be there in the right moment but I like the idea that if you have the faith the situation reveal to you sooner or later.
As Diane Arbus said "I never got a shot as I wanted: it‘s always become better or worse”.
As Diane Arbus said "I never got a shot as I wanted: it‘s always become better or worse”.
I associate this photo with India. One of my dreams is to go there once. I’m fascinate by the Indian people and their culture. Every time I see someone from India in my city I just have to take their picture. This woman with her child caught my eyes immediately. The scene was so heartwarming so I took the picture.
Please visit Davide Mandolini‘s websites
https://500px.com/davidemandolini
www.facebook.com/isolandphotography
https://500px.com/davidemandolini
www.facebook.com/isolandphotography
You have a photo / art exhibition or a project to get started?
EYE-Photo Magazine can be your partner for advertising!
We‘re publishing featured interviews, photo
reviews and special features with talented and enthusiastic photographer on a regular base.
Your advertisement would be in our magazine (PDF) and on our website.
We can link to your project, website, or other multimedia content.
The best thing is: it's all FREE for you!
INTERESTED?
Contact us:
[email protected]
EYE-Photo Magazine can be your partner for advertising!
We‘re publishing featured interviews, photo
reviews and special features with talented and enthusiastic photographer on a regular base.
Your advertisement would be in our magazine (PDF) and on our website.
We can link to your project, website, or other multimedia content.
The best thing is: it's all FREE for you!
INTERESTED?
Contact us:
[email protected]
You can read and download the magazine online for FREE:
Interview with photographer Gerri McLaughlin, Switzerland.
Our seventh featured interview is about a fantastic photographer, a former professional cook and later assistant of Cuban photographer Ismael Lorenzo.
It is a very special honor for me in particular, as I’m following his work for quite a while now!
His photos reflects our everyday life but with a very certain and emphatic perception of the humanity.
Without further ado, please accompany us on our trip through Gerri McLaughlin’s, captivating and stunning visual world.
Enjoy reading!
It is a very special honor for me in particular, as I’m following his work for quite a while now!
His photos reflects our everyday life but with a very certain and emphatic perception of the humanity.
Without further ado, please accompany us on our trip through Gerri McLaughlin’s, captivating and stunning visual world.
Enjoy reading!
Gerri, I was looking forward to do this interview for quite
a while, so I would like to start with saying thank you
for taking your time and giving us the opportunity
for having this interview.
Please tell us a little bit about yourself to begin with.
Thank you Stefan for inviting me. I’m originally
from Glasgow but now living near Basel since 1999. I was
a professional cook until 2009 and for the last 18 months
I have worked for the Cuban photographer Ismael
Lorenzo in his studio as his assistant.
a while, so I would like to start with saying thank you
for taking your time and giving us the opportunity
for having this interview.
Please tell us a little bit about yourself to begin with.
Thank you Stefan for inviting me. I’m originally
from Glasgow but now living near Basel since 1999. I was
a professional cook until 2009 and for the last 18 months
I have worked for the Cuban photographer Ismael
Lorenzo in his studio as his assistant.
What is street photography for you?
Street photography for me is a voyage of self-discovery, in the last three years I have seen different themes develop in my photos that I hadn’t really planned to shoot. The camera tells the story so to speak. I learn a lot about people on the street and also what’s important to me through the lens of my camera. Street photography for me is being present in the moment of The Beautiful Ordinary that is Life.
Street photography for me is a voyage of self-discovery, in the last three years I have seen different themes develop in my photos that I hadn’t really planned to shoot. The camera tells the story so to speak. I learn a lot about people on the street and also what’s important to me through the lens of my camera. Street photography for me is being present in the moment of The Beautiful Ordinary that is Life.
Advertising
We Street 2015 - A Public Street Photography Book Project For You!
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
- A maximum of three Photographs will be preselected
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group: We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group: We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
Could you share with us how you first became interested in photography in general?
My first girlfriend studied photography and through that I learned to be her model in the studio from time to time and it was also my first contact to guys like Kertesz and Cartier-Bresson.
I had a small Ricoh which I used for travelling and I also had a Canon in the 90’s but the cameras came and went as I did other things. It’s only really since 2012 I got serious about taking pictures. I bought a second hand 5D and took a course with Ismael to learn to use it, from there I decided it would be Street Photography for me.
My first girlfriend studied photography and through that I learned to be her model in the studio from time to time and it was also my first contact to guys like Kertesz and Cartier-Bresson.
I had a small Ricoh which I used for travelling and I also had a Canon in the 90’s but the cameras came and went as I did other things. It’s only really since 2012 I got serious about taking pictures. I bought a second hand 5D and took a course with Ismael to learn to use it, from there I decided it would be Street Photography for me.
Gerri, I've browsed through your fantastic work and found a lot of street portraits among your other motifs. Would you say that street portraits characterize your work most?
It’s certainly a big part of what I do, Basel is quite a small city so I am fairly visible on the street so I got to know quite a few people there too.
Sometimes I take a shot or Two sometimes we just talk or share a coffee, many of the portraits were taken just by waiting for the person to look at me, I’m
drawn to people who stand out a little from the crowd and sometimes people
seem to look right at me when they see the camera!
It’s certainly a big part of what I do, Basel is quite a small city so I am fairly visible on the street so I got to know quite a few people there too.
Sometimes I take a shot or Two sometimes we just talk or share a coffee, many of the portraits were taken just by waiting for the person to look at me, I’m
drawn to people who stand out a little from the crowd and sometimes people
seem to look right at me when they see the camera!
What is it in your subjects that makes you want to capture them?
I find human beings fascinating and long before I had a DSLR I was an avid people watcher, on the tram, in the station, in shops, everywhere in fact. So I am drawn sometimes to those whose seem a little detached from the flow of life or who are perhaps down on their luck. What interests me though is this; is their detachment really their own or a reflection of my own sense of strangeness of being so long away from home. This idea of home and exile is one of my personal themes. So I look for faces which speak to me and perhaps my own sense of loneliness. In the city I see so many people who faces are like a book I would love to read from cover to cover but only have an instant to somehow capture that feeling. I love when I get home and see that maybe just maybe I caught something of that persons story!
I find human beings fascinating and long before I had a DSLR I was an avid people watcher, on the tram, in the station, in shops, everywhere in fact. So I am drawn sometimes to those whose seem a little detached from the flow of life or who are perhaps down on their luck. What interests me though is this; is their detachment really their own or a reflection of my own sense of strangeness of being so long away from home. This idea of home and exile is one of my personal themes. So I look for faces which speak to me and perhaps my own sense of loneliness. In the city I see so many people who faces are like a book I would love to read from cover to cover but only have an instant to somehow capture that feeling. I love when I get home and see that maybe just maybe I caught something of that persons story!
How much does your equipment help you to execute your artistic vision and what kind of equipment are you using?
It’s taken me the last two years just to get comfortable with the cameras I have, I can’t claim to be the most technical of shooters but I realize more and more that a good grasp of the camera in hand allows me to do my thing as well as possible in any given moment. I have a Canon 5D with a 50mm, a 17-40mm and 24-105mm. I also have a Lumix GX7 with a 14-42 on it for more discreet practices! I have a hole in my heart the exact size of a FujiXT1 and when it’s filled I think I will have everything I need :)
It’s taken me the last two years just to get comfortable with the cameras I have, I can’t claim to be the most technical of shooters but I realize more and more that a good grasp of the camera in hand allows me to do my thing as well as possible in any given moment. I have a Canon 5D with a 50mm, a 17-40mm and 24-105mm. I also have a Lumix GX7 with a 14-42 on it for more discreet practices! I have a hole in my heart the exact size of a FujiXT1 and when it’s filled I think I will have everything I need :)
There are portrait photos in your gallery by which your subjects are looking straight into the camera. How much do you interact with your subjects and what kind of reactions do you get?
I tend not to talk too much with my subjects, if I ask them for the shot I just wait till they look straight down the lens and click, then afterwards we can talk a little if necessary. Some of the candids I just focused and waited for their eyes to meet mine! I get lucky too, I would love to be a whole lot braver this year and get right in close to my subjects. I’ve been fortunate not to have had too many bad reactions, sometimes people shout at me, I tend to smile and apologies with a gesture or a quiet word. I always remain polite and courteous and until now I have never had to delete any pictures.
I tend not to talk too much with my subjects, if I ask them for the shot I just wait till they look straight down the lens and click, then afterwards we can talk a little if necessary. Some of the candids I just focused and waited for their eyes to meet mine! I get lucky too, I would love to be a whole lot braver this year and get right in close to my subjects. I’ve been fortunate not to have had too many bad reactions, sometimes people shout at me, I tend to smile and apologies with a gesture or a quiet word. I always remain polite and courteous and until now I have never had to delete any pictures.
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You're capturing street photography almost in Black and White. I'm curious, is there any specific reason that led you to process the photos in Black and White?
The first photographs I remember were those small black and white family ones that everyone had and I always loved them. As a young man I came across the work of Weegee and his pictures really nailed my love of black and white. There’s something about black and white for me that is very classic and reminds me of my childhood and the first exhibitions I saw, even the cinematography of great B&W films like Citizen Kane, Night of The Hunter, Touch of Evil etc. So it felt kind of natural to me to process in B&W. I may change as I develop as a photographer but for the moment B&W is where I want to be.
The first photographs I remember were those small black and white family ones that everyone had and I always loved them. As a young man I came across the work of Weegee and his pictures really nailed my love of black and white. There’s something about black and white for me that is very classic and reminds me of my childhood and the first exhibitions I saw, even the cinematography of great B&W films like Citizen Kane, Night of The Hunter, Touch of Evil etc. So it felt kind of natural to me to process in B&W. I may change as I develop as a photographer but for the moment B&W is where I want to be.
Among your works, would you name one as your favorite and why?
I took a picture of a street guy at the Bahnhof in Basel, his name was Marcel and he was the first person I ever asked for a photo, it was a big step for me as a relatively shy person. I was happy with the result and chatting with him I realized I had to overcome my fears if I want to do street photography!
I took a picture of a street guy at the Bahnhof in Basel, his name was Marcel and he was the first person I ever asked for a photo, it was a big step for me as a relatively shy person. I was happy with the result and chatting with him I realized I had to overcome my fears if I want to do street photography!
Did you ever take a photograph which compromised your emotional balance in a deep way?
Yes and I would say more than once but one sticks in my mind and I called it “ Third Day Rain” It rained solidly for three days and in those days I had many things to do in the city and I was feeling sorry for myself that I was getting wet, then I saw one of the homeless guys I know from the street, he was passed out exhausted in a bus shelter on top of his suitcase he always has with him.
I realized then how blessed I am in my life now. I got the shot off and left something for him to wake up to remembering how tough the street is for many.
Yes and I would say more than once but one sticks in my mind and I called it “ Third Day Rain” It rained solidly for three days and in those days I had many things to do in the city and I was feeling sorry for myself that I was getting wet, then I saw one of the homeless guys I know from the street, he was passed out exhausted in a bus shelter on top of his suitcase he always has with him.
I realized then how blessed I am in my life now. I got the shot off and left something for him to wake up to remembering how tough the street is for many.
Has your style of shooting changed since you first started?
Yeah for sure, learning how to optimize my camera for a start has helped me greatly, working for Ismael too has really helped, he very generous with his time if I have any questions. At first I think I just shot lots and lots of pictures now that’s gone down a bit and I have slowed down a lot too. I feel more part of what I am doing and not so much of an newbie! As my themes develop I start to see series of shots growing. I still have a long way to go to be where I would like to be but this last year has seen my confidence grow a bit and perhaps the beginnings of a style appearing. I tend not to think too much when I am out with my camera, I try to work as cleanly and as intuitively as I can.
Yeah for sure, learning how to optimize my camera for a start has helped me greatly, working for Ismael too has really helped, he very generous with his time if I have any questions. At first I think I just shot lots and lots of pictures now that’s gone down a bit and I have slowed down a lot too. I feel more part of what I am doing and not so much of an newbie! As my themes develop I start to see series of shots growing. I still have a long way to go to be where I would like to be but this last year has seen my confidence grow a bit and perhaps the beginnings of a style appearing. I tend not to think too much when I am out with my camera, I try to work as cleanly and as intuitively as I can.
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iStreet Photography Exhibition, organized by Des BYRNE and Peter O DOHERTY
Dublin, from 14th to 27th August 2015
Dublin, from 14th to 27th August 2015
photo by Seamus TRAVERS
Are there any photographer how took influence on your photographic work and style?
I love Weegee Bruce Gilden and Boogie in NYC, Daido Moriyama, I love Diane Arbus, Vivian Maier, Elliott Erwitt, Christina Garcia Rodero and the great Glasgow photographer Oscar Marzaroli, I’m in several Facebook groups where there are many great photographers like Mark Leslie, Naoki Iwao, Mike Fahy and Gabi Ben Avraham who inspire me daily to get out there and get working. My style I hope is not to derivative of anyone in particular:)) I’m like a sponge so there will be bits of some others in there!
I love Weegee Bruce Gilden and Boogie in NYC, Daido Moriyama, I love Diane Arbus, Vivian Maier, Elliott Erwitt, Christina Garcia Rodero and the great Glasgow photographer Oscar Marzaroli, I’m in several Facebook groups where there are many great photographers like Mark Leslie, Naoki Iwao, Mike Fahy and Gabi Ben Avraham who inspire me daily to get out there and get working. My style I hope is not to derivative of anyone in particular:)) I’m like a sponge so there will be bits of some others in there!
What are some of the most important lessons you have learned from shooting on streets?
Be yourself, do your best on any given day, respect the people who cross your path and if you can someone a hand up, why not, you never know which way the street will take you. Stand up for yourself politely but firmly and remember that a smile will open doors that perhaps would have forever remained closed. Shooting on the street has awakened parts of me that I didn’t know I had or had forgotten I had, I find it to be a deeply revealing occupation, there’s no place to hide from yourself on the streets!
Be yourself, do your best on any given day, respect the people who cross your path and if you can someone a hand up, why not, you never know which way the street will take you. Stand up for yourself politely but firmly and remember that a smile will open doors that perhaps would have forever remained closed. Shooting on the street has awakened parts of me that I didn’t know I had or had forgotten I had, I find it to be a deeply revealing occupation, there’s no place to hide from yourself on the streets!
Are there any special projects you’re working on currently which you would like to introduce here?
I’m just putting together a project called “ Home” which will be a series of portraits of immigrant people here in Switzerland, some who have been here for many years, some who have just arrived, some who came as small children It’s focus will be the idea of Home and what does that mean to us as human beings. It’s one of my own personal recurring themes, having been away from my home in Scotland for 25 years. I am also putting the finishing touches to my website which should be up and running soon.
I’m just putting together a project called “ Home” which will be a series of portraits of immigrant people here in Switzerland, some who have been here for many years, some who have just arrived, some who came as small children It’s focus will be the idea of Home and what does that mean to us as human beings. It’s one of my own personal recurring themes, having been away from my home in Scotland for 25 years. I am also putting the finishing touches to my website which should be up and running soon.
Gerri, thank you very much for taking your precious time and let us have your thoughts and views!
Please visit Gerri at Facebook: www.facebook.com/gerri.mclaughlin.3
Or contact him at: [email protected]
Please visit Gerri at Facebook: www.facebook.com/gerri.mclaughlin.3
Or contact him at: [email protected]
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We‘re publishing featured interviews, photo
reviews and special features with talented and enthusiastic photographer on a regular base.
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Dear friends and readers!
I'm incredibly happy to present our very first special feature in our Magazine's brief history. This is a very exciting feature, especially for me, as I'm a big fan of Marie-Lou's amazing project.
You can see the great effort, the passion and her utmost care, she puts in the restoration of this fantastic time captures.
Without further ado, please enjoy our special feature and a time travel through photographic history. Enjoy reading!
I've always been fascinated with the work of the great photographers of the 20th century. Yet, when I look at their photos, I wonder what they saw in color while taking the photograph. One day, I discovered the only American archive FSA where it was possible to use copyright-free high-resolution images.
"I discovered this technique by chance I was looking to find a way to express myself artistically… I can either choose a picture from 1900 or from 1980 or 1990…I like all decades as this is a very good opportunity for me to learn something about daily lives of the people.
I need to be moved by a picture (by style, composition, story, …). If not it doesn't work and I can’t do anything on it."
I need to be moved by a picture (by style, composition, story, …). If not it doesn't work and I can’t do anything on it."
A series of photos of Dorothea Lange was included, and this is how it began. My goal is to find the colors as close as possible to reality, so I work with a repository of shades of gray at the base, and rely on my instincts and imagination, all the sensations which I put in my work.
My two main software are Photoshop and Lightroom, and sometimes few others. Before starting colorization, I'm using several Photoshop tools. Then I’m
correcting tones with Lightroom (in order for instance to add more contrast).
Once those correction are done, I’m starting the colorization. Each color has it’s own layer and mask and I’m using that with filters in order to get the wanted result. I’m also using several other settings and filters…but those are my little secrets ;)
My two main software are Photoshop and Lightroom, and sometimes few others. Before starting colorization, I'm using several Photoshop tools. Then I’m
correcting tones with Lightroom (in order for instance to add more contrast).
Once those correction are done, I’m starting the colorization. Each color has it’s own layer and mask and I’m using that with filters in order to get the wanted result. I’m also using several other settings and filters…but those are my little secrets ;)
1972 : Man lying on hood of car passes cigarette to another.
Restored and colorized
July 26nd 2015 ©Marie-Lou Chatel.
Photographer : ©William Gedney 1932-1989.
Source : Item ID KY0892 Gedney Photographs Duke University
Restored and colorized
July 26nd 2015 ©Marie-Lou Chatel.
Photographer : ©William Gedney 1932-1989.
Source : Item ID KY0892 Gedney Photographs Duke University
1910. Jean and Charlotte Potter
Restored and colorized
June 25, 2015 ©Marie-Lou Chatel.
Photographer : ©Bain News Service, publisher
LC-DIG-ggbain-19461 No known restrictions.
Restored and colorized
June 25, 2015 ©Marie-Lou Chatel.
Photographer : ©Bain News Service, publisher
LC-DIG-ggbain-19461 No known restrictions.
1977: Downsized New Chevrolet meets Old Cadillac circa 1977 in Medford, Mass., on the corner of Mystic Avenue and Harvard Street.
Restored and colorized, July 23, 2015
©Marie-Lou Chatel.
Submitted by: ©rizzman1953. Source : Shorpy.
Restored and colorized, July 23, 2015
©Marie-Lou Chatel.
Submitted by: ©rizzman1953. Source : Shorpy.
1921 July 15 : Krazy Kat
Restored and colorized
July 7nd 2015 ©Marie-Lou Chatel.
Photographer : © unknown
LC-DIG-npcc-22060 No known restrictions.
Restored and colorized
July 7nd 2015 ©Marie-Lou Chatel.
Photographer : © unknown
LC-DIG-npcc-22060 No known restrictions.
1904 Oct Travel views of Europe
Restored and colorized June 13, 2015© Marie-Lou Chatel.
Photographer : ©Genthe, Arnold, 1869-1942
LC-DIG-agc-7a04318 No known restrictions.
Restored and colorized June 13, 2015© Marie-Lou Chatel.
Photographer : ©Genthe, Arnold, 1869-1942
LC-DIG-agc-7a04318 No known restrictions.
1947 Weeki Wachee spring, Florida
Restored and colorized April 17 2015 ©By Marie-Lou Chatel.
Photographer : ©By Toni Frissell 1907-1988
LC-DIG-ppmsca-10079. No known restrictions
Restored and colorized April 17 2015 ©By Marie-Lou Chatel.
Photographer : ©By Toni Frissell 1907-1988
LC-DIG-ppmsca-10079. No known restrictions
Advertising
- A maximum of three Photographs will be preselected
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group: We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group: We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
1972 Teenage boy sitting in back seat of a car, with the door open; white t-shirt, hair over his eyes.
Restored and colorized June, 24 2015 ©Marie-Lou Chatel.
Photographer : ©William Gedney
Source : Item KY1014 Gedney Photographs Duke University.
Restored and colorized June, 24 2015 ©Marie-Lou Chatel.
Photographer : ©William Gedney
Source : Item KY1014 Gedney Photographs Duke University.
1936 Nov, Street scene at 38th Street and 7th Avenue, New York City
Restored and colorized
April 05 2015 ©By Marie-Lou Chatel.
The B & W is in the first comment.
Photographer : ©By Lee Russell 1903-1986
LC-DIG-fsa-8a21073. No known restrictions.
Restored and colorized
April 05 2015 ©By Marie-Lou Chatel.
The B & W is in the first comment.
Photographer : ©By Lee Russell 1903-1986
LC-DIG-fsa-8a21073. No known restrictions.
1939 Sept Family, one month from South Dakota, now on the road in California. Tulelake, Siskiyou County, California. See general caption number 65.
Restored and colorized Mar 17 2015 ©By Marie-Lou Chatel.
Photographer : ©By Dorothea Lange
LC-DIG-fsa-8b34849. No known restrictions.
Restored and colorized Mar 17 2015 ©By Marie-Lou Chatel.
Photographer : ©By Dorothea Lange
LC-DIG-fsa-8b34849. No known restrictions.
Advertising
iStreet Photography Exhibition, organized by Des BYRNE and Peter O DOHERTY
Dublin, from 14th to 27th August 2015
Dublin, from 14th to 27th August 2015
photo by Seamus TRAVERS
1943 Mar New York. Forty-second Street and Fifth Avenue on a rainy day.
Restored and colorized
January 27, 2015 ©By Marie-Lou Chatel.
Photographer : ©By John Vachon 1912-1985.
LC-DIG-fsa-8d26833. No known restrictions.
Restored and colorized
January 27, 2015 ©By Marie-Lou Chatel.
Photographer : ©By John Vachon 1912-1985.
LC-DIG-fsa-8d26833. No known restrictions.
1942 Aug New York. Waiting for the trains at the Pennsylvania railroad station.
Photographer : ©By Collins, Marjory 1912-1985
Restored and colorized Jan, 12 2014 ©By Marie-Lou Chatel.
LC-DIG-fsa-8d21836 No known restrictions.
Photographer : ©By Collins, Marjory 1912-1985
Restored and colorized Jan, 12 2014 ©By Marie-Lou Chatel.
LC-DIG-fsa-8d21836 No known restrictions.
1924 April Washington snow scenes
Restored and colorized February 6 2015 ©By Marie-Lou Chatel.
Photographer : ©By Harris & Ewing.
LC-DIG-hec-32230. No known restrictions.
Restored and colorized February 6 2015 ©By Marie-Lou Chatel.
Photographer : ©By Harris & Ewing.
LC-DIG-hec-32230. No known restrictions.
You have a photo / art exhibition or a project to get started?
EYE-Photo Magazine can be your partner for advertising!
We‘re publishing featured interviews, photo
reviews and special features with talented and enthusiastic photographer on a regular base.
Your advertisement would be in our magazine (PDF) and on our website.
We can link to your project, website, or other multimedia content.
The best thing is: it's all FREE for you!
INTERESTED?
Contact us:
[email protected]
EYE-Photo Magazine can be your partner for advertising!
We‘re publishing featured interviews, photo
reviews and special features with talented and enthusiastic photographer on a regular base.
Your advertisement would be in our magazine (PDF) and on our website.
We can link to your project, website, or other multimedia content.
The best thing is: it's all FREE for you!
INTERESTED?
Contact us:
[email protected]
All photos had been restored and colorized by Marie-Lou Chatel
Please visit Marie-Lou Chatel’s web sites at:
www.facebook.com/MarieLouChatel
www.flickr.com/photos/marielouchatel/
Interviews:
- Winter 2015, The Analogue Street Collective Magazine - #1 Fev 2015
- Interview for Lux Optima Sep 2014
Blog:
- Denys-Louis Colaux Oct 2013
Books and magazines:
- In section “Exhibition” issue of SHOT! magazine. #19 May 2015
- Winter 2015, The Analogue Street Collective Magazine - #1 Feb 2015
On Facebook:
Co-founder of Fine Photography Viewpoints group since 2013
Member of The APF Collective since 2014.
Please visit Marie-Lou Chatel’s web sites at:
www.facebook.com/MarieLouChatel
www.flickr.com/photos/marielouchatel/
Interviews:
- Winter 2015, The Analogue Street Collective Magazine - #1 Fev 2015
- Interview for Lux Optima Sep 2014
Blog:
- Denys-Louis Colaux Oct 2013
Books and magazines:
- In section “Exhibition” issue of SHOT! magazine. #19 May 2015
- Winter 2015, The Analogue Street Collective Magazine - #1 Feb 2015
On Facebook:
Co-founder of Fine Photography Viewpoints group since 2013
Member of The APF Collective since 2014.
You can read and download the magazine online for FREE:
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