Featured Photographer, interview with Cristina Duca, Italy
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Featured photographer, interview with Christian Robotti
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Featured photographer, interview with
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Dear Friends and Readers!
Our next issue of featured photographer, the interview, takes us to Berlin Germany, where Christian Schirrmacher aka Chris Candid is capturing the vivid essence of not just Berlin‘s street life. His photos are stunningly lively and rich in contrast. The portrayed persons are captivating characters and the situations are from intoxicating atmosphere. Please join us on this fantastic journey. Enjoy reading Stefan Cimer Founder and Editor in Chief |
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Featured photographer, interview with Deb Frazin
Dear Friends and Readers!
Our next issue of featured photographer, the interview, takes us to California, Los Angeles, where Deb Frazin is creating and capturing the essence of Downtown Los Angeles street life. Her black and white captures enhance us and highlight the various facets and characters on her hometown’s street. Deb‘s work is a fantastic mixture of street and documentary photography enriched by her captivating portraits. And in fact, she seems to be free of any conventions and her work cannot easily be shelved. Please join us on this fantastic journey through the contrasty streets of Downtown LA. Enjoy reading |
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Featured Photographer, Interview with Amira Issmail
Dear Friends and Readers!
Our twelfth issue takes us to Hamburg, Germany. Photographer and artist Amira Issmail invites us to dwell and enjoy her artistic visions. The combination of vivid portraits and documentary photography is a captivating reflection of Hamburg‘s society. Amira is a well known and a popular part of the scene. Please join us on this vivid journey full of captivating and remarkable pictures. Enjoy reading |
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Featured Photographer Interview, with Nicolae Vatra
Dear Friends and Readers!
Our first September issue takes us to a captivating project. Photographer and artist Nicolae Vatra, provides us with an exclusive insight into his new project, called „No Eye Portrait“. This project deduce street, documentary and portrait photography. Please join us and discover the artistic impressions of “No Eye Portrait” project. Enjoy reading! Stefan Cimer |
Nico, I shall begin by saying thank you for taking your time to giving us the opportunity for this interview.
What is photography for you?
Photography made me see the world and not just passing by. It made me stay
in love with it not just falling in love.
Photography made me see the world and not just passing by. It made me stay
in love with it not just falling in love.
Could you share with us how you first became interested in photography in general?
I remember that I always
wanted a camera, and I got
one at the age of 14.
I was eager to discover
the world around me. I
photographed ever since
and got myself a DSLR
at the age of 20.
As I start to discover what
photography means to me,
I realized that I felt in love
with street photography.
It was hard to start but it
helped me to learn how to
focus on the moment.
I remember that I always
wanted a camera, and I got
one at the age of 14.
I was eager to discover
the world around me. I
photographed ever since
and got myself a DSLR
at the age of 20.
As I start to discover what
photography means to me,
I realized that I felt in love
with street photography.
It was hard to start but it
helped me to learn how to
focus on the moment.
Nico, your current project “No Eye Portrait” has a great abstract urban touch. Would you tell us a bit about it, what is the idea behind it?
Through my photography I would like to show that you can find beauty everywhere.
Through my photography I would like to show that you can find beauty everywhere.
Can you tell us about your work flow from the point you first step onto the scene until you showcase the developed picture?
I shoot digital and as I get better and better in composing my work right in the camera, I’m spending less and less time with editing. My only tool that I use is an Olympus E PL5 with 17mm f1.8 prime lens.
I usually use Adobe Lightroom® for converting to black and white.
I shoot digital and as I get better and better in composing my work right in the camera, I’m spending less and less time with editing. My only tool that I use is an Olympus E PL5 with 17mm f1.8 prime lens.
I usually use Adobe Lightroom® for converting to black and white.
Among your works, which is your favorite and why?
I like a few shots but I get bored fast and try to focus on the next shot.
I like a few shots but I get bored fast and try to focus on the next shot.
Are there any photographer how took influence on your photographic work and style?
Henri Cartier Bresson, Josef Koudelka, Vivian Maier, Garry Winogrand just to name a few of them.
I try to learn from other photographers, like how to see and compose and how to connect with people.
Henri Cartier Bresson, Josef Koudelka, Vivian Maier, Garry Winogrand just to name a few of them.
I try to learn from other photographers, like how to see and compose and how to connect with people.
Beside your project “No Eye Portrait” is there any other project you’re working on currently?
I am working to understand myself in the connection with my environment.
Playing with classic and cliche I permanently challenge my ego.
I also experiment with landscapes; I search the calm in the chaos and want to inspire people to see the beauty everywhere.
I like to highlight that EYE-Photo Magazine is the first media publishing this project and that this is just a small preview of a photo book I’m planning to accomplish for the future.
I am working to understand myself in the connection with my environment.
Playing with classic and cliche I permanently challenge my ego.
I also experiment with landscapes; I search the calm in the chaos and want to inspire people to see the beauty everywhere.
I like to highlight that EYE-Photo Magazine is the first media publishing this project and that this is just a small preview of a photo book I’m planning to accomplish for the future.
ADVERTIZING
We Street 2015 - A Public Street Photography Book Project For You!
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
- A maximum of three Photographs will be preselected
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group:
We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group:
We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
Please visit Nico at
Facebook:
www.facebook.com/pages/Nicolae-Vatra-photography/1390887217798708
or Flickr:
www.flickr.com/photos/30114627@N02
On Behance:
www.behance.net/gallery/28516063/No-eye-portrait
Facebook:
www.facebook.com/pages/Nicolae-Vatra-photography/1390887217798708
or Flickr:
www.flickr.com/photos/30114627@N02
On Behance:
www.behance.net/gallery/28516063/No-eye-portrait
Featured Photographer Interview with Wal Sacco, Sao Paulo, Brazil
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Dear Friends and Readers!
Our tenth issue of "Featured Photographer Interview" takes us to Sao Paulo, Brazil. Wal Sacco is a wanderer, a discoverer moving between light, shades, abstract elements and unusual point of views. Although his amazing compositions are leaving us with wide-eyed astonishment, he still consider himself as a beginner. Please join us on this exceptional visual journey! Enjoy reading! Stefan Cimer |
Wal, I shall begin by saying thank you very much, for taking your precious time to giving us the opportunity for this interview.
This is quite a great pleasure for me in particular, as I'm very thrilled about your work.
This is quite a great pleasure for me in particular, as I'm very thrilled about your work.
Please tell us a little bit about yourself to begin with.
First of all thank you so much for inviting me to this interview. I am very
honored! I was born and living in São Paulo, Brazil. I have a part time job
as psychologist and photography is like a therapy and a hobby for me.
First of all thank you so much for inviting me to this interview. I am very
honored! I was born and living in São Paulo, Brazil. I have a part time job
as psychologist and photography is like a therapy and a hobby for me.
What is photography for you, or being more precisely, what is Street Photography for you?
I have a passion for photos and be able to make my own images is very important to me.
Photography in my opinion has the power to capture lifetime moments, which are not possible to repeat twice.
I like the mixture between people, architecture, art street and how this elements interact with each other.
I have a passion for photos and be able to make my own images is very important to me.
Photography in my opinion has the power to capture lifetime moments, which are not possible to repeat twice.
I like the mixture between people, architecture, art street and how this elements interact with each other.
Are there any photographer how took influence on your photographic work and style?
I like the work of Diane Arbus, Vivian Maier, Hengki Lee, Khalik Allah, Roger Ballen, Andrzej B. Gawrylczyk and Lee Jeffries.
But there are so many amazing photographers in the world.
I like the idea that all those amazing photos I've seen, always teach me something about photography.
I like the work of Diane Arbus, Vivian Maier, Hengki Lee, Khalik Allah, Roger Ballen, Andrzej B. Gawrylczyk and Lee Jeffries.
But there are so many amazing photographers in the world.
I like the idea that all those amazing photos I've seen, always teach me something about photography.
Could you share with us how you first became interested in photography in general?
My interest in photography came from my passion for films. I'm sure that my visual understanding what makes a good image comes from there. I remember as I saw Terrence Malik's film, Days of Heaven, and immediately felt that this film is a masterpiece, not at least because of the remarkable and powerful photography of Nestor Almendros. I was a teenager back then and it was the first time that I thought about the possibilities of photography.
It was a magical moment for me. It was about three years ago as I made the decision to find some activity which gives me pleasure but couldn't figure out what.
I was sure that I wanted something art related. I always loved photography
and had a few cameras but I had not that attention and respect for photography what it deserves.
Then I bought my first DSLR camera and I started shooting without
compromises and any particular knowledge, only out of my gut feelings and
just as a hobby.
Today photography is an important part of my life. A way to express myself.
My interest in photography came from my passion for films. I'm sure that my visual understanding what makes a good image comes from there. I remember as I saw Terrence Malik's film, Days of Heaven, and immediately felt that this film is a masterpiece, not at least because of the remarkable and powerful photography of Nestor Almendros. I was a teenager back then and it was the first time that I thought about the possibilities of photography.
It was a magical moment for me. It was about three years ago as I made the decision to find some activity which gives me pleasure but couldn't figure out what.
I was sure that I wanted something art related. I always loved photography
and had a few cameras but I had not that attention and respect for photography what it deserves.
Then I bought my first DSLR camera and I started shooting without
compromises and any particular knowledge, only out of my gut feelings and
just as a hobby.
Today photography is an important part of my life. A way to express myself.
What equipment are you using now and with what did you get started? What is your favorite lens for photography?
A Nikon D7100. I started with a Nikon D3100. All my glass is from Nikon, a 18-55mm, a 70-300mm and 50mm f/1.8D. I still consider myself as a beginner.
A Nikon D7100. I started with a Nikon D3100. All my glass is from Nikon, a 18-55mm, a 70-300mm and 50mm f/1.8D. I still consider myself as a beginner.
Seeing your remarkable work, I discovered your art as a kind of mixture between street photography, urban documentary and abstract art. This mixture is quite unique in my opinion. I'm curious where your creativity and inspiration comes from?
Indeed, very well realized. This mixture is a result of my interest in different things at same time. I always had a strong affinity towards art in general. I don't know to explain best, but I like the versatility and not getting my work stereotyped. I'm trying to let my creativity running free. Sometimes I like when I found some art on walls or others places, cause I like it talks with the people.
Indeed, very well realized. This mixture is a result of my interest in different things at same time. I always had a strong affinity towards art in general. I don't know to explain best, but I like the versatility and not getting my work stereotyped. I'm trying to let my creativity running free. Sometimes I like when I found some art on walls or others places, cause I like it talks with the people.
What would you say characterizes your work, comparing to other street photographers?
I think that my work reveals my culture, identity and my geographic localization.
I like to see the work of other street photographers and imagine how their work process must look like. For me, I haven't developed my own style yet but its fine, I consider it as a process of development. I enjoy practicing until I think I have found my style. As a beginner and I enjoy the learning process a lot.
I think that my work reveals my culture, identity and my geographic localization.
I like to see the work of other street photographers and imagine how their work process must look like. For me, I haven't developed my own style yet but its fine, I consider it as a process of development. I enjoy practicing until I think I have found my style. As a beginner and I enjoy the learning process a lot.
Do you see your personality reflected in your work?
Yes, I do. I like how the practice makes me more assertive and sometimes reveals humor to my days. Photography seems to be a projection of emotion and sometimes a state of spirit.
Yes, I do. I like how the practice makes me more assertive and sometimes reveals humor to my days. Photography seems to be a projection of emotion and sometimes a state of spirit.
Among your works, which style of yours is your favorite and why? (Night captures, Bird's Eye view, Motion blur etc.)
I like all of them. The lights and the atmosphere of the night have a strong fascination to me. I like bird's eye view for allowing other angles and point of views. Motion blur is really good as it creates the impression of an abstract painting by enabling other ideas about the subject. But I'm free for try all types and I don't have a favorite style. I enjoy when I get a good capture.
I like all of them. The lights and the atmosphere of the night have a strong fascination to me. I like bird's eye view for allowing other angles and point of views. Motion blur is really good as it creates the impression of an abstract painting by enabling other ideas about the subject. But I'm free for try all types and I don't have a favorite style. I enjoy when I get a good capture.
ADVERTIZING
We Street 2015 - A Public Street Photography Book Project For You!
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
By Steven Gonzalez, Willem Jonkers, Arek Rataj, Sandra Jonkers
- A maximum of three Photographs will be preselected
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group:
We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
- Curated pre-selection of submissions by 4 curators
- 100 shots will be selected, max. 1 per photographer
- A HQ-book will be made publicly available for order
- This is a NON-profit initiative!
For more details please visit the Facebook group:
We Street 2015
or Willem JONKERS blog:
We Street 2015 - A Public Street Photography Book Project For You!
Can you tell us about your work flow from the point you first step onto the scene until you showcase the developed picture?
It happens spontaneously. I always have my camera with me and when on street I often see something that calls my attention. So I try to shoot it. I live and work in downtown and it is easy for me to have access to other points of city.
Then at home I choose the photos that I like most and delete the rest. Sometimes I just cannot erase some photos even seeing that is not good enough. It s a strange thing. After a while I can see something interesting in this photos that I couldn't see at first sight.
It happens spontaneously. I always have my camera with me and when on street I often see something that calls my attention. So I try to shoot it. I live and work in downtown and it is easy for me to have access to other points of city.
Then at home I choose the photos that I like most and delete the rest. Sometimes I just cannot erase some photos even seeing that is not good enough. It s a strange thing. After a while I can see something interesting in this photos that I couldn't see at first sight.
Has your style of shooting changed since you first started?
Today I have more preoccupation in composition or framing. When I started I had no idea about all this aspects. But I still learning. It is fun and strange at once, when I see some photos that I made in the beginning and realize that it was a good photo.
Today I have more preoccupation in composition or framing. When I started I had no idea about all this aspects. But I still learning. It is fun and strange at once, when I see some photos that I made in the beginning and realize that it was a good photo.
Wal, thank you very much for taking your time!
Please visit Wal at
Facebook:
www.facebook.com/profile.php?id=1589247027
Facebook:
www.facebook.com/profile.php?id=1589247027
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